Dierk Berthel at the Kesselhaus Art Space: Finissage with Sound Performance in Bamberg


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Sculpture in the Sound Space: Dierk Berthel bids farewell with a Finissage that makes the space audible
To conclude the exhibition Sculpture as Space: Dierk Berthel – unfinished spaces, volume II, the Kesselhaus art space in Bamberg invites you to a finissage that puts sculpture, sound, and perception into an intense dialogue. The performance Noise Thief Meets the Master of Glass with Dierk Berthel and Johannes Schreiber connects space-filling sculpture with glass, sounds, and electronic tones into an art experience that reorders material and atmosphere.
Space as Work, Work as Space
Dierk Berthel has been working for many years at the intersection of art in public space, art in architecture, and free sculpture. His work moves between metal, stone, and wood, gaining tension precisely where architecture is not only referenced but becomes physically tangible. In Bamberg, this attitude is reflected in an exhibition that does not perceive the exhibition space as a neutral shell but as an active component of the work observation.
Incompletion as an Aesthetic Experience
The title unfinished spaces refers to an open language of forms: sculptures appear not as completed objects but as processes in space. Wooden frameworks, open constructions, and the placement of graphic works in space create an exhibition atmosphere where contour and void, stability, and dissolution question each other. Here, art is not explained but experienced.
Sound Performance as an Extension of Sculpture
With Johannes Schreiber's sound performance, perception shifts once again. Glass, sound, and electronic tones transform the art space into a resonance field where sculptures become sound bodies. This evening promises not a static finale but a moment of condensed presence: a precise connection of form, rhythm, material, and time.
Art Education and Exhibition Experience in Bamberg
The Bamberg Art Association accompanies the exhibition with a supporting program, including tours and discussions. Thus, the exhibition becomes not only a destination for art lovers but also a place of cultural education. Those interested in contemporary sculpture, installation art, and the relationship between space and perception will find a pointed, professionally founded presentation with high experiential value.
Conclusion: The finissage of Dierk Berthel's unfinished spaces, volume II offers a final, particularly intense view of sculpture as an open process. Anyone who wants to experience contemporary art with all their senses should not miss this date in Bamberg.
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- Website: https://www.dierk-berthel.de










