Great Ghosts and Quirky Tones at the E.T.A. Hoffmann Theater


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When the Ghosts of the Theater Wait for Music
On October 16, 2026, a spooky yet musical haunted house opens at the E.T.A. Hoffmann Theater in Bamberg. In the ETA Show: Great Ghosts, E.T.A. Hoffmann, Heinrich von Kleist, Wolfgang Amadeus Mozart, and Donna Anna from Mozart's Don Giovanni meet. Between literary ghost hour, black humor, and great music, an evening on stage unfolds about artists, loneliness, and the desire to finally be understood.
An Undead Shared Apartment with Literary Resonance
The dramaturgy brings together historical figures who continue to live on in the ETA Hoffmann Theater: E.T.A. Hoffmann and Heinrich von Kleist clash over their writerly neuroses, Mozart searches for musical inspiration, while Donna Anna haunts the stage from the legendary foreign box number 23. The very setting becomes a narrative resonance space, transforming theater history into lively play.
Burnout, Ballads, and an Unusual Peace
Restlessness sets in as the washed-up show host ETA makes himself comfortable in the undead's shared apartment after a burnout. What begins as animosity develops into a cautious community. The direction by Daniel Seniuk combines acting art, revue elements, and music into an evening where the boundary between past and present, tragedy and comedy, is constantly in motion.
Music as the Last Language of Communication
At the center of the production is music. It becomes the dramatic key for characters who could not truly make themselves heard either in life or death. The stage design and equipment by Anna Siegrot, video works by Alexander Drabusch and Lennart Peters, as well as the dramaturgy by Lea Mantel create a theatrical atmosphere where historical motifs, pop cultural show forms, and grotesque hauntings intertwine.
An Ensemble Between Ghost Train and Concert Stage
Hennie Gerdes, Avi Meyer, Laura Röseler, Daniel Seniuk, Stephan Ullrich, Luke Venatier, and Daniel Warland bring the colorful world of characters to life on stage with physical precision, comedic timing, and musical energy. The result promises an unusual stage experience for all who appreciate literary classics, music theater, and humorous contemporary productions with a sense of the abyss.
Conclusion: Theater History Becomes a Live Experience
ETA Show: Great Ghosts connects the grand history of the house with a humorous musical revue. Visitors can expect an atmospheric theater evening full of literary allusions, quirky encounters, and musical surprises. Those who want to experience how ghosts, artists, and an exhausted showmaster vie for attention should not miss this special stage experience at the E.T.A. Hoffmann Theater.
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