Borkman at the ETA Hoffmann Theater Bamberg: Ibsen's Family Drama in New Sharpness

Event: Borkman, Henrik Ibsen in E.T.A.-Hoffmann-Platz 1, 96047 Bamberg on 25. September 2026

Date and Time

25. September 2026 19:30

Artist

Location

ETA Hoffmann Theater
E.T.A.-Hoffmann-Platz 1, 96047 Bamberg, Deutschland

Price

19,50
Book Tickets

About this Event

Theater

Mood

Other

Venue Type

Inside

Borkman in Bamberg: A Family Storm on the Grand Stage

Henrik Ibsen's drama appears at the ETA Hoffmann Theater Bamberg in a modern adaptation by John von Düffel, which uncompromisingly focuses on the female characters. On September 25, 2026, a classic story transforms into an intense stage experience about guilt, power, alienation, and the price of familial loyalty.

When a Banking Scandal Becomes a Soulquake

The preliminary reports promise not a museum-like literature theater, but a precisely constructed drama theater with a nervous presence. At the center are Gerhild Borkman and Ella Rentheim, two sisters whose life paths not only drift apart after the bank crash but painfully intertwine. The production highlights the tensions that have made Ibsen's drama so timeless: social collapse, wounded dignity, unfulfilled future.

The Women as the True Driving Force of the Evening

John von Düffel's new version, directed by Annette Pullen, consciously shifts the dramaturgy away from the title character and towards the relationships that break under the pressure of memory, possession, and responsibility. Marianna Linden and Susanne Wolff give this conflict a special sharpness. The stage by Iris Kraft and the costumes promise an atmosphere where every gesture counts and every silence carries weight.

Direction, Stage, and Sound as Means of Intensification

The direction focuses on compression rather than expansion, on psychological precision rather than decorative opulence. Music by Avi Meyer and the dramaturgy by Lea Mantel sharpen the tension between public facade and private injury. Especially on a Grand Stage, such a work unfolds its effect: lighting mood, space, and acoustics become collaborators of an evening that explains less and exposes more.

A Classic that Burns in the Present

Ibsen's material about money, power, and societal ostracism remains so powerful precisely because it tells not only of a failed bank director but of the cracks that a system leaves deep inside a family. The Bamberg audience expects a dense stage experience with a clever text version, strong characters, and that restlessness that characterizes great theater.

Conclusion: Those who want to experience psychologically sharp theater, strong acting, and a modern reading of Ibsen should see this evening live. Borkman in Bamberg promises an intense theater night that resonates long after and raises questions that go far beyond the stage.

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